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The club revolution of the late 1980’s & 1990’s totally transformed how Britain partied.

Gone were the traditional “discotheques”, where guys had to wear a collar and tie to get through the door, replaced dark warehouses and basements with booming sound systems playing repetitive beats. 

At the centre of the House revolution was a feeling of hedonism, love, energy and synergy with the whole club; ecstasy was the fuel.

Using a unique collection of 1990’s ecstasy pills, Vintage Disco Biscuit’s work evokes a nostalgic smile to everyone who went clubbing “back in the day”.

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The Ecstasy of Art

Cutting edge photographic project celebrates club culture of the 90s while raising awareness of the risks associated with drug taking.

The great Salvador Dali is famously quoted as saying ‘I don’t do drugs. I am drugs’; perhaps eloquently and evasively illustrating that art and drugs are no bed-strangers.

Now a new project called Vintage Disco Biscuit, opening in Leeds in February 2017, is set to illuminate the ecstasy culture of the 1990s through a constructive and positive collection of unique images created by local artists Rupert Scriven and Adrian Wilson, while carrying a serious message in support of a national drug and alcohol charity.

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